It is categorically impossible to discuss the subject of television consumption without sounding like a dick.
Let’s have that understood from the start.
Even the gentlest of opinions can come off sounding like arrogant pronouncements. Even the most sensitive framing can strike some people as if it were the foaming screed from a self-righteous vegetarian or fitness enthusiast or Biblical literalist: holier than thou.
So let’s you and I be understood on this and related points now, at the outset, and spare ourselves confusion or accusations later on. 1) I’m really not as much of a dick as talking about television might make me seem; and 2) it is not my contention that I am particularly holier than anyone. Not even you. Thou. Whatever.
With that said, our subject today is the ongoing consumption of television as a lifestyle choice. That is, weighing the value of frequent and regular television watching rather than the value of any particular piece of specific programming. This is about flow, not show.
Our exploration of such will be somewhat meandering but roughly sectioned as follows: history and definitions of the medium, my rationale for rejecting the medium, and finally the personal and social consequences of that rejection.
If that sounds too dry and academic for your reading tastes, please consider that I promise to throw in a few fart jokes here and there to keep things lively.

My Thoughts Exactly
Self-Publisher Sells Out! How and Why I sold the Rights to my Self-published Novel “Acts of the Apostles” to Underland Press
I recently signed deal with Underland Press, a new, indie publisher founded and led by Victoria Blake, to give Underland the worldwide rights, electronic and print, to publish my novel Acts of the Apostles in any and all languages in basically any format (printed book, ebook, audiobook, etc).
I’ve been the publisher of this book for eleven years. It has sold pretty well as far as first novels (self- or traditionally published) go, and I have gotten a fair amount of attention for being an innovative self-publishing novelist.
I’ve written that as a self-publisher I get to keep the publisher’s cut as well as the writer’s cut, which means that any publisher would have to offer me a pretty sweet deal before I would consider giving my publisher’s cut to them. And I’ve noted (as have many other people) that in an age when more and more book sales are digital (that is, internet downloads of ebooks), the role of the publisher is less and less relevant.
In fact, over the last six weeks, sales of digital versions of my books have outnumbered sales of printed copies by about 60-1.
So why have I sold my rights to Underland?
Because I want Acts of the Apostles to become a worldwide bestseller. I want sales numbers in the millions. Failing that, it would be at least nice to make some money. I’m gambling that Underland offers the best opportunity for that to happen. Read More »