Inventing the Future

The Way Things Go

Der Lauf der Dinge is that film in which a whole series of objects cascade in a very long Rube Goldberg. (I understand many cultures have had similar cartoonists. I think its wonderful that where previous generations drew pictures, civilization has developed to the point where individuals can and do actually realize and record such fantasies.) You may have seen a take-off of this in a car ad.

I think the reason for our fascination with this has to do with movement carrying the action. You can have theme and variation without movement, and without physical objects. Consider novels, painting, music, and zillion other things. But here we have a case where there is nothing of interest at all except for the theme and variation expressed by the movement and positioning of physical objects. And it is fascinating. A reviewer has written of the film that it is like watching a Hitchcock film with objects instead of people.

I think this all relates to previous discussion on narrative and 3D.

[This is fallout from a session at OOPSLA.]

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Inventing the Future

Of UI and Narratives

There were some comments to a previous entry that I thought were worth calling attention to all by themselves. The general theme of these was that of user interface and how the role of media in storytelling can inform the design of new UI paradigms. Highly appropriate for Brie.

So I’m moving those comments here. I want to keep the original page for the my attempt to define the heart of Croquet independently of UI, applications, and software distributions.

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My Thoughts Exactly

Hofstadter

I spoke with Douglas Hofstadter for about an hour yesterday. That was kinda cool. I’m still hoping that he’ll participate in the mashup of my Cheap Complex Devices, but I ain’t going to count on it.

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My Thoughts Exactly

Nanomeme Syndrome

In both the philosophical and visual sense, ‘seeing is believing’ does not apply to nanotechnology, for there is nothing even remotely visible to create proof of existence. On the atomic and molecular scale, data is recorded by sensing and probing in a very abstract manner, which requires complex and approximate interpretations. More than in any other science, visualization and creation of a narrative becomes necessary to describe what is sensed, not seen. Nevertheless, many of the images generated in science and popular culture are not related to data at all, but come from visualizations and animations frequently inspired or created directly from science fiction.

From “The Nanomeme Syndrome: Blurring of fact & fiction in the construction of a new science” in Volume 1, Issue 1, of Technoetic Arts, a journal of speculative research, by Jim Gimzewski and Victoria Vesna, some legitimate hardcore nanotechnologists. Gimzewski won the Forsight Insitute’s Feynman Prize in 1997 for leading the team that made that nifty IBM logo written in atoms.

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