I’ve been keeping a desultory eye on the gathering strike by the Writer’s Guild of America, which is the screenwriters’ union — where “screen” means movie screen and television screen.

One of the points at issue is whether computer screens and iPhone screens also count as “screens”, that is, the writers want compensation for works of theirs that are distributed on the net, and, as I understand things, the other party doesn’t want to give it to them.

As a person who has made his living as a writer, kinda-sorta, since April, 1980, I find the notion of a writer’s union intriguing and somewhat baffling. It’s hard to imagine a technical writer’s union negotiating terms with Sun, Microsoft, or IBM. But why is that, exactly? Screenwriting is a much more solitary endeavor than technical writing, so on the face of it, one would expect screenwriters to be even less likely to unionize than technical writers. But then again, the stakes are higher in Hollywood, where the difference between an OK screenplay and a good screenplay is measured in millions of dollars at the so-called bottom line. So writers have more clout, is what I’m trying to say.

Recently my friend the Hollywood actor/producer/script-doctor has been making some noises about pimping the movie rights to my novel Acts of the Apostles. (It would make a great movie, by the way!) I have no understanding of the craft of screenwriting; nor do I have any free time not taken up by the day job & so-called life. So I’m not a very strong candidate to try my hand at writing a screenplay of my book. On the other hand, I’m not in the Guild, and, given that it is a guild— meaning that it’s hard to even gain admission to it— I’m unlikely to be in it anytime soon. So maybe I should go for it.

Act one, Scene one: Exterior. A dark and stormy night. . .