Ok, obviously all the devices in your home are Part 15 or whatever, but I think my point is a good one anyway.
“This is essentially the same problem as with wireless microphones. If wireless microphones had never received a special dispensation to function in the broadcast white spaces as a licensed ancillary service, you could replicate these systems with unlicensed white spaces devices”
Really? I've yet to hear of any new WSD, spectrally efficient digital technology(ies) that can deliver the very high audio fidelity and ultra-low latencies that legacy FM technology delivers, and that is expected/demanded by the consumer when they attend a concert, theatrical production, corporate presentation or turn on their HD DTV.
That said, I'll readily admit that this isn't a good situation, and new cost effective technologies for wireless mics/intercom/IEMs/IFBs need to be developed. But to say the coming WSDs are a suitable replacement for current professional level wireless production equipment is folly.
Henry:
You are absolutely right in the short term. And I would also agree that we can't displace wireless microphones NOW, because there is a substantial user community that relies on them. My point is that if we were starting with a blank slate, we would do this very differently and the benefits of access to the available spectrum would be more broadly distributed.
Not to be too pedantic, but I'd like to ensure everyone understands it's not just the large user base of wireless production equipment, but the *very* large consumer market that expects high quality audio (iPod/MP3 crap not withstanding) for their ticket/monthly subscriber price.
It's worth noting here that TV stations are among the biggest users of UHF wireless microphones out there.
Rich:
Biggest _authorized_ users of wireless microphones.
One of the problems is that the number of authorized users is relatively small compared to the number of unauthorized users — and the intensity of unauthorized use. For example, Broadway theater companies are not authorized to use wireless microphones licensed as BAS service under Part 74. But they do, and very intensely, with (I am told by these folks) dozens of wireless microphones used to pick up stage action and distribute it through the theater's sound system (ah for the old days when folks relied on acoustics).
There are two problems here. One, it has created a huge problem where the FCC essentially is being asked to provide protection not merely for the authorized user community, which is relatively identifiable and coherent, but for the much larger unauthorized user community. It is a political reality that you can't go fine 1,000,000 or so people — from megachurches to business conference centers to musicians in coffee houses — or tell them to stop using wireless microphones. At the same time, the FCC cannot require that authorized Part 15 white spaces devices protect unauthorized users.
Worse, as I pointed out awhile ago, these devices are functioning in what will become the public safety and commercial wireless bands after February 2009. With so many unauthorized users out there, most completely oblivious to the physics, odds are good there will be random pockets of interference (especially in places where use is intense). But because the unauthorized user community is this huge white elephant that nobody wants to talk about, we can't even begin to address this problem.
“Biggest _authorized_ users of wireless microphones.”
Unfortunately, a huge number of wireless mics/coms/IFBs/IEMs used by legitimate broadcasters are *not* licensed.
“But they do, and very intensely, with (I am told by these folks) dozens of wireless microphones used to pick up stage action and distribute it through the theater's sound system (ah for the old days when folks relied on acoustics)”
I can't tell you how frustrating it is for theatrical sound designers and mixing board operators that most actors don't know how to project. If you'd like a backstage tour of a large scale Broadway musical's wireless equipment and sound system, let me know.
“Worse, as I pointed out awhile ago, these devices are functioning in what will become the public safety and commercial wireless bands after February 2009. With so many unauthorized users out there, most completely oblivious to the physics, odds are good there will be random pockets of interference (especially in places where use is intense). But because the unauthorized user community is this huge white elephant that nobody wants to talk about, we can't even begin to address this problem.”
The entertainment production industry has for about a year now begun a migration out of the 700MHz band (698-806MHz) precisely because we know we can't compete with higher power mobile WB and NB services, despite the current rules which still state Part 74 devices will be allowed to operate in that spectrum. (I believe however the FCC will change that once the 700MHz auction winners and the PS community yell loudly enough.) Despite NAB and MSTV protestations, the entertainment production industry as a whole is more than willing to discuss this problem (as long as the the only topic isn't a universal shut down of Part 74 devices ).
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“users can adjust their devices as digital television comes online”
That assumes quite a bit about the devices in question, never mind the hospital IT staff. I don't know much about hospital hardware, but while your cordless phone might have a channel button, your microwave doesn't. How many of the wireless devices in your home can YOU adjust?